Limelight

Sometimes a serious comedy comes along written and directed by a serious director, in this case, Charlie Chaplin.  The movie, “Limelight,” came out 1952.  Limelight is not really a comedy but a movie about comedy.  It’s a sound picture that has the boarding house feel of a low-down silent film, and the backstage plot of a film such as John Ford’s silent sensation “Uptream,” the 1927 film that follows the dreams of theater people.

Claire Bloom and Charlie Chaplin play broken entertainers in "Limelight."

Claire Bloom and Charlie Chaplin play broken entertainers in “Limelight.”

Chaplin stars as Calvero, a vaudeville veteran comedian reduced to drunkenness and hard times in 1914.  As the film opens, he stumbles across the screen and enters his boarding house.  Immediately, he smells gas because a young ballet dancer named Thereza (Terry) lies unconscious in her room while attempting suicide.  He bangs down the door and saves her, and the two then begin a gentle and platonic relationship that evolves as they search for emotional balance, artistic expression and fame.

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The film features lots of close-ups of Charlie Chaplin, both in his vaudeville persona in makeup and in his day-to-day life as Calvero.  Chaplin’s performance makeup, with exaggerated eyebrows and makeup, suggests “The Little Tramp.”  However, he does not imitate his famous tramp character completely.  In fact, he acts and resembles Groucho Marx more than Charlie Chaplin.  But perhaps, the original English music hall variety of the Chaplin character, before he came to Hollywood, looked and acted more like Calvero.

The movie, though it might be a bit too long, works because Claire Bloom does such a good job playing off of Chaplin.  Typically, Chaplin sought a particular emotional feeling for his films.  In an interview years after the film came out, Bloom said Chaplin tricked her into giving him the performance he wanted.  For one emotional scene, Chaplin asked her to do a cold reading without any emotion.  When she did as he asked, Chaplin screamed, “That’s terrible, there’s no emotion there!”  Chaplin then shot the scene, and the embarrassed and hurt Bloom performed it with the right blend of emotion.

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