John Grant

A local gardener, Charlie, told me that, at the age of 5, he met Mary Pickford in 1927 in Anaheim, California.  He still remembers that day well; any five-year old who met Pickford at that time must have thought of her as a big sister.

Mary Pickford, with some swamp children, in “Sparrows.”

Pickford plays Molly in “Sparrows,” the oldest child a 1926 film directed by William Beaudine.  She toils at a swamp orphanage, or baby farm, cruelly lorded over by Mr. Grimes.  Molly and her 10 young charges, destitute orphans all, dig potatoes and corn, avoid alligators and quicksand, and pray daily for a rescue out of their dreary swamp.  As the opening title card says, “The Devil’s share in the world’s creation was a certain southern swampland — a masterpiece of horror.”
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Grimes, played by Gustav von Seyffertitz, schemes a kidnapping of a rich child and has her brought to his baby farm, where Molly mothers her.  As the police close in, Grimes conspires to get rid of the evidence (i.e., throw her into the swamp), but Molly does her best to protect the little girl.  This leads to a flight of the children across the alligator infested swamp, and then a high-speed boat chase.

It amazes me that Pickford could so convincingly play a 12-year old, but the then 34 year-old diminutive star definitely pulls it off.   In the biography, “William Beaudine: From Silents to Television,” author Wendy L. Marshall says Pickford personally picked Beaudine to direct the picture.  He directed her previous movie, “Little Annie Rooney, but friends warned that directing her so soon again would make him “screwy.”  The experience traumatized Beaudine so much that he developed temporary paralysis on one side of his face.  Thankfully, Beaudine’s background as a comedy director and the several comic touches well put over by Pickford and the children keep Sparrows from being an unrelentingly dark picture.

Rudolph Valentino first appeared on the silver screen in an uncredited role in a lost D. W. Griffith film called “The Battle of the Sexes” in 1914.  Several other films followed in which he played exotic and villainous roles.  But after he made “The Sheik” in 1921, he became the biggest male sex symbol in the movies.

Rudolph Valentino with Agnes Ayres.

Count The Sheik as one of the most unprecedented pictures in Hollywood history, since no other star achieved such heights of fame in the early days of cinema.  Valentino plays the title character, Ahmed, a rich and confident ruler of a kingdom prone to roving bandits and sand storms.  When a free spirited English woman, Lady Diana Mayo (Agnes Ayres), decides to hire a guide for a solo tour of the desert, Ahmed abducts her and tries to bend her to his will.  He holds her captive and attempts to rape her, but the force of her will prevents it.  Eventually, Ahmed changes tactics and tries to get her to fall in love with him.
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Paramount Pictures provides a spirited production that includes many extras charging on horses through the desert.  The film takes place mostly in the desert, but it explores Lady Diana’s world briefly in scenes at a casino hotel.  Lady Diana flirts with danger at every opportunity, and even infiltrates Ahmed’s entourage by dressing up as a dancing girl.  She remains a powerful force throughout the film, despite her humiliating captivity.

A very young Adolph Menjou plays Ahmed’s friend, a novelist who is sympathetic to Lady Diana.  His appearance in the story adds to Ahmed’s vulnerability, since he confronts the ruler about the abduction of Lady Jane.  Menjou lasted for decades in the movies, became a Hollywood raconteur, and even wrote a fascinating autobiography about his years in Hollywood.  In The Sheik, Valentino defined a new style of leading man, which trumped the dapper and sophisticated version characterized by Menjou.

Just before he made Frank Capra’s “The Strong Man” in 1926, Harry Langdon starred in “Tramp, Tramp, Tramp,” an engaging and very funny story about a little man who enters a cross-country walking race for a $50,000 purse that will save his father’s business.  Joan Crawford plays the love interest, Betty Burton, who is the daughter of the race sponsor, shoe baron John Burton.  Burton’s shoe company provides the shoes and the long-sleeve tee shirts for the arduous and lengthy walk to California.

Harry Langdon gets ready to race in “Tramp, Tramp, Tramp.”

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Joan Crawford doesn’t do much.  At one point, she watches Harry stare lovingly at a billboard picture of her.  That scene replaces long romantic sequences, since she immediately takes a liking to him and becomes his girl.  The director, Harry Edwards, made only one feature length film and this is it.  But he went on to make dozens of comedy shorts until his last one, “Maid Trouble,” in 1946.  He directed several Harry Langdon shorts during the silent era.

Thomas Meighan shines in “The Mating Call,” a 1928 silent film that casts him as Leslie Hatten, a World War 1 vet who returns home to find his marriage annulled and his town ruled by a KKK-style group called “The Order.”  His former wife, Rose, played by Evelyn Brent, marries the leader of the Order, Lon Henderson, a philandering businessman played by Alan Roscoe. But the unhappy Rose appears at Leslie’s door when Leslie returns from the war.  She’s determined to start an affair with Leslie, but the hooded henchmen of the Order barge in to stop it.

Poster for “The Mating Call.”

In the first part of the movie, which takes place in Europe, Leslie pines openly about Rose with his fellow soldiers.  In a flashback, he marries her at the end of his leave, but his unit ships him out right after he gives Rose her first marital kiss.  After the war, Leslie returns to find the truth, but resolves to have nothing to do with Rose.  He finally rushes off to Ellis Island and marries a young Eastern European woman, Catherine (Renée Adoreé), moments before the immigration authorities deport her.
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Leslie, a man with a strong character, seems ready to give in to Rose just before he marries Catherine.  Even though the Order may object to Leslie’s marriage to Catherine, an Eastern European, they are more interested in meting out justice for petty and major crimes.  Their justice always involve a kangaroo court, with punishments that include whippings and, presumably, hangings.  When a woman is found dead on Leslie’s property, the Order drags him off to meet a hooded judge and he faces the harsh penalties.

The story for the film resembles “The Canadian,” from  1926.  In that film, Meighan’s character marries an English woman, takes her to an Alberta ranch, and then must learn to live with her.  Renée Adorée’s Catherine finds herself attracted to Leslie, but he’s as clueless with her as he is with Rose.  Adorée’s nude swim created a lot of controversy at the time, but it’s not very revealing.